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Some of the crowd
Playwright/producer: Marissa Forbes
First up was the experimental play, Pages From a Course in General Linguistics, adapted from For Example by Lonely Christopher and directed by Teddy Nicholas. T. Ramon Campbell performed his monologue regarding the concept of linguistics with passion and poise while Tricia Cramer progressed from a beautiful secretary into a frightful femme fatal and then Kristopher W. Imperati gave it his all with his dueling monologue about the insanity and humor of language.
Pages from a Course in General Linguistics
Next up was Scrabble (or Nietzsche) by Marissa Forbes, adapted from the poem of the same name, directed by Chase Voorhees. It’s a philosophical comedy that literally plays with words and thought. Dan Whalen was an excellent Friedrich Nietzsche—full of insightful wittiness and Mary Hynes was a hilarious Scrabble opponent.
Scrabble (or Nietszche)
The performances concluded with Katie Przybylski’s poem adapted into her play, Big Talk, directed by Leah Winkler. David Weinheimer, Nikki Dillon, Rachel Pearl, and Gary Ferrer performed their romantic search on the subway for Walt Whitman with zeal in their cascading voices.
If you were one of the unfortunate ones who missed the opening night of this event or would love to check it out again, the encore performance is Monday April 12th, 2010. Same time (8-11pm), same place (170 Ave. A), same line up, and same drink specials ($2 Yuengling/$3 well)!
All photos by Sean McGurn, see more on republicworldwide.com soon and RSVP to the event on facebook
Katie Przybylski (shuh-bil-skee) (Playwright) hails from Michigan, where she grew up among many automobiles and squirrels. She currently studies and writes in Brooklyn, New York. Her work has appeared in Ubiquitous, Correspondence, and Way of the Word, and is forthcoming in Xenith, and Mosaic49. This is the first play she's written, she wishes you well.
Leah Winkler (Director) is a writer/director from Kamakura, Japan and Lexington, Kentucky. In addition to working with ETG- she is the A/P/A commissioned writer for the Japanese American National Museum’s Discover Nikkei project. She has directed her plays at the Ontological Hysteric Theater ( Pale Horse…6 Speed-cowriter), The Brick Theater (Big Girls Club- Happy Dance Dance Princess Show), HERE Arts Center (The Formula Play) and the Indianapolis New Art Theatre( Everywhere). Her short plays have been seen at the Cultural Development Corporation’s Source Festival (little girls- dir Scott Fortier) , Workingman’s Clothes Productions’(BGC-Dir.Teddy Nicholas). She has also worked with the Asian American Arts Alliance and Young Jean Lee’s Theater Company. Come see her read at the Southern Writers Reading Series on April 14th 8 p.m. at Happy Ending Lounge, 302 Broome Street between Forsyth & Eldridge.
David Weinheimer (1) is thrilled to be working with REPUBLIC Worldwide for the first time. A 2005 graduate from Butler University with a BA in Theatre, after graduating David spent a year and a half on tour with Missoula Children's Theatre, doing both "Jack and the Beanstalk" (Magic) and "Frog Prince" (Henry/King). David can be seen most weekends here in New York performing at the National Comedy Theatre as part of the house improv team. Other recent New York credits include: "The Tempest" (Stephano) and "Twelfth Night" (Valentine) with Theatre1010, "Merchant of Venice" (Gratiano) with Hudson Shakespeare, "Pericles" (Helicanus/Antiochus) with Hudson Warehouse, and staged readings of "Tymon of Athens" (Flavius) and "Henry VIII" (Henry VIII) with Instant Shakespeare. He can also be seen in the award-winning documentary "The Little Red Truck." www.davidweinheimer.com"
Nikki Dillon (2) originally hales from Atlanta, GA and moved to New York to study performance and pursue a career in acting. She attended Hofstra University and received a BFA in theatre performance. In her first year living in the city she has appeared in Holly Down in Heaven at New Dramatists, The Daughter at Theatroiati, Synesthesia 2009 at The Electric Pear, and The Twelfth Labor at Lark Play Development Center. She has previously appeared as COMPUTER in ETG’s A Pale Horse…. Some of her other favorite roles are Marie Duplesis in Camille, and Austin in True West.
Rachel Pearl (3) is an actor/singer/writer originally from Issaquah, Washington. She previously played a COMPUTER in ETG’s Pale Horse…at the Ontological. She holds a BFA in Theatre Arts from Hofstra University. Credits include: The Winter’s Tale (Paulina), Into the Woods (Baker’s Wife), Equus (Dora Strang) The Fantasticks (Louisa).
Gary Ferrar (4) is a writer, director, and entertainer currently living in Brooklyn. He holds a B.A. in Theater Arts and English from Hofstra University and is a recipient of the Philip Rosenthal Grant for comedy in theater. Gary serves as as the artistic director for The Hyper Aware Ventilation Company where he is currently working on “Time Traveling with Cannibals.” Much thanks to Leah and Lindsay for this opportunity to work with ETG!
Teddy Nicholas (Director) is a playwright, director, and stage manager from in Queen, NY. He was a Dixon Place HOT! Festival Artist from ‘07-‘08 where he wrote and performed a solo piece, STDs – Socially Transmitted Dissociation, and wrote and directed UNTITLED. He performed in 365 Days/365 Plays at HERE Arts Center and The Public Theater under the direction of Lenora Champagne. He directed the Wadsworth award-winning production of Christopher Shinn’s Four at Purchase College, where he earned a B.A. Drama Studies. He directed Big Girls Club (Workingman’s Clothes BINGE Festival at Wings Theater). Teddy co-wrote/directed with Leah Winkler A Pale Horse, Death & Hell Followed With (A Lifetime Original Series), a show developed from the Ontological-Hysteric Theater’s Incubator Short Form series. Teddy has stage managed and toured internationally with Young Jean Lee’s Theater Company with The Shipment (Brooklyn Arts Exchange, NY; Wexner Center for the Arts, OH; The Kitchen, NY; Kunstenfestival des Arts, BE) and assisted stage managed CHURCH (Under The Radar Festival 08 at The Public Theater). He also stage managed Thomas Bradshaw’s Southern Promises (PS122), Eliza Bent’s She of the Voice (Undergroundero Festival at PS122), Tommy Smith’s The Break-Up & Ken Urban’s The Happy Sad (The Flea Theater), Taylor Mac’s OKAY and Anne Washburn’s October/November (Ensemble Studio Theatre). He is a founding member of Everywhere Theatre Group.
Brendan Byrne (Sound Designer) is the current curator of experimental music and mixed media at The Tank, a non-profit performing arts presenter in New York City. He is co-founder and co-producer of the In/Out Festival (http://www.inoutfest.org), a day-long event featuring workshops and performances by leaders in the computer music industry. Brendan also curates the annual circuit-bending festival, Bent Fest (http://www.bentfestival.org). He currently resides in Brooklyn where he works as a freelance theater electrician and sound designer. http://deadfox.bandcamp.com/
T. Ramón Campbell (A) A small town boy from Ossining, NY, with roots in Tuskegee, AL and Jarrett, VA, Ramón grew up an active participant of the theatre arts in his community, playing in high school productions of The King and I, Bye Bye Birdie and Gypsy. Furthering his education at SUNY Purchase College, Ramón earned a B.A. in Literature/Drama Studies and wrote, produced, directed and performed in his first original work. In Denver, CO he achieved an MFA in acting, at the National Theatre Conservatory. As an apprentice with the Denver Center Theatre Company, Ramón had the honor of performing in such classics as The Tempest, Dream, On Monkey Mountain, The Women of Trachis, The Importance of Being Ernest, Bus Stop, Le Misanthrope and Gross Indecency: The Three Trials of Oscar Wilde. Recently, Ramón played Joe in the Wadsworth Award-winning production of Christopher Shinn’s Four, directed by Teddy Nicholas. He played Luke in Everywhere Theatre Group’s production of A Pale Horse, Death & Hell Followed With (A Lifetime Original Series) at the Ontological-Hysterical Theater. Ramón is honored to have the opportunity to join REPUBLIC Worldwide and The Everywhere Theatre Group in this project.
Tricia Cramer (B) is very excited to be working with Teddy Nicholas, whom she originally met while studying at SUNY Purchase. She performed in 365 Days/365 Plays at HERE Arts Center and The Public Theater under the direction of Lenora Champagne. She went on to study drama and film at NYU. She’s performed at The Public Theatre, Pratt, and in various short films. She studies improv at the Upright Citizens Brigade Theatre. She’s currently developing various concepts for different mediums.
REPUBLIC Worldwide Presents:
Way of the Word: Poems to Plays
Produced by Marissa Forbes and Everywhere Theatre Group
Opening night: Monday April 5, 2010
(Encore performance: Monday April 12, 2010)
8 pm-11 pm
Bar On A
170 Avenue A (between 10th St & 11th St)


Every so often we get a chance to read a great author, hear a moving poet, see the performance of a memorable theatrical work or debate a sincere philosophical hypothesis. Here in the realm of language and communication, the words we use to interpret our shared world are sorted, arranged and made malleable by the imagination and revolutionizing spirit of the creator. To overlook this fundamental thread that is woven into the nature of theater, poetry, philosophy and other expressive forms of the written word is to fall short of any deeper true appreciation of the artists’ intention.
It is in the spirit of pushing the boundaries of language and celebrating the power of the word that REPUBLIC Worldwide, in collaboration with Everywhere Theatre Group presents: Way of the Word: Poems to Plays.
The first installment of REPUBLIC Worldwide presents: Way of the Word featured readings by poets inspired by timeless thinkers such as Saussure, Nietzsche and Walt Whitman. In an attempt to expound on the creative vision and unique interpretations of these renown masters of language, three of those original poems from Way of the Word have been transformed into three one act plays by the of the original authors. Produced by Marissa Forbes and directed by the founding members of Everywhere Theatre Group, Way of the Word: Poems to Plays, promises to be a unique and entertaining evening of poetic theater beginning with Lonely Christopher’s adaptation of “For Example” into “Pages from a Course in General Linguists” directed by Teddy Nicholas, performed by T. Ramon Campbell, Tricia Cramer, and Kristopher W. Imperati, with sound by Brenden Bryne; followed by Marissa Forbes’ “Scrabble (or Nietzsche)”, directed by Chase Voorhees, performed by Dan Whalen and Mary Hynes, concluding with “Big Talk” by Katie Przybylski, directed by Leah Winkler, performed by David Wienhiemer, Nikki Dillion, Rachel Pearl, and Gary Ferrer.
Doors open at 8pm, performances begin at 8:30. The evening will conclude with a meet and greet with REPUBLIC Worldwide, the playwrights/poets, performers, and directors.
Way of the Word’s first poetry anthology, featuring the poems transformed into plays and poems from around the nation will be available for purchase online and at the door for $10. Portions of the proceeds will be donated to Reading Excellence and Discovery (READ), a foundation that promotes literacy by pairing qualified high school tutors with elementary students who demonstrate below grade level reading skills.
Drink specials are provided by Bar On A from 8pm until 9pm. Bar On A (or B.O.A.) is located at 170 Avenue A, between 10th and 11th Streets, NYC. For more information about Way of the Word, Everywhere Theatre Group, READ or REPUBLIC Worldwide please contact Jason Voegele or Marissa Forbes at info@republicworldwide.com , call 443.528.6761 or visit our website www.republicworldwide.com.








